If Didier Drogba represents the image of a contemporary African hero on the global stage then who or what does Senegalese striker El Hadji Diouf represent?
Meet Digital Diouf. David Kilpatrick’s intriguing post in the New York Times GOAL blog tells us about “We Tripped El Hadji Diouf: The Story of a Photoshop Thread,” a recent exhibition at the Museum of the Moving Image in New York.
The story is about the intersection of sport, art, and digital technology. At the heart of it is a three-second clip of Diouf (at Rangers) sent flying by Hearts midfielder Ian Black’s tackle. The video was photoshopped and then posted on SomethingAwful.com, where users imaginatively molded it into extraordinarily creative and wide-ranging videos. Eventually, 35 of the videos were looped together and displayed at the Museum of the Moving Image.
“While many of the images embrace Diouf’s agony as some kind of karmic retribution for his villainy,” Kilpatrick writes, “others allow technology to revise the outcome and provide a happy ending.” Rumor has it that Dakar’s digital griots are planning a sequel.